The article introduces the creative work of the famous American playwright Sam Shepard, whose works are almost unknown to our Uzbek reader. His plays are wellknown throughout the world; they influenced the formation of the worldview of readers of different nations and show the peculiarities of American culture. Despite the worldwide fame of Sam Shepard’s works, they are not studied well by literary critics. In America and Europe his works have been studied in details for a long period, and even several monographs in English have been written. However, neither in the Russianspeaking, nor in the domestic literary criticism there is yet no major work on Shepard's works. The article also deals with the artistic features of the political myth of the “American dream” in one of the most scandalous plays, “The God of Hell,” dedicated to the protest against the war in Iraq. Thus, this study, which touches upon some issues of Shepard's creative work in connection with his innovative artistic originality, to a certain extent, seeks to fill this gap.
1. Bugrova T. Amerikanskiy teatr protesta v kontekste obщestvennogo dvijeniya 60x // Borba tendensii v sovremennom zapadnom iskusstve. M.: Nauka,1968. 2. Vulf V. Ot Brodveya nemnogo v storonu. –M.: Iskusstvo, 1982. 3. Koreneva M. Dramaturgiya amerikanskogo avangarda 1960x –77. Obzor // Sovremennaya xudojestvennaya litra za rubejom, 1976. –№2 4. Shepard Sem. Gdeto v Amerike // Sovremennaya dramaturgiya. 1990.№2. 5. Shepard Sem. Istinniy Zapad // Teatr, 1991. –№3 6. Shepard Sam. A Lie of the Mind. – New York: Dramatists Play Service, 1986. 7. Shepard Sam. Buried Child. Seven Plays. – Toronto and New York: Bantam, 1989. 61132. 8. Shepard Sam. Curse of the Starving Class. SP. 133200. 9. Shepard Sam. Fool for Love. Fool for Love and Other Plays. – New York: Bantam, 1984. 1758. 10. Shepard Sam. The Late Henry Moss. Three Plays. – New York: Vintage, 2002. 1114. 11. Shepard Sam. True West. SP. 159. 12. Shepard Sam. States of Shock. – New York: Dramatists Play Service, 1992. 13. Shepard Sam. The God of Hell. – New York: Dramatists Play Service, 2005. 14. Turner Victor. From Ritual to Theatre. The Human Seriousness of Play. – New York: PAJ1982. 15. Weiss Katherine. Cultural Memory and War Trauma in Sam Shepard’s A Lie of the Mind, States of Shock, and The Late Henry Moss. 13 May 2008 http://www.americanstudies.wayne.edu/xchanges/4.2/weiss.html
"Myth In Sam Shepard’s “The God Of Hell” And Its Political Implication,"
Philology Matters: Vol. 2019
, Article 2.
Available at: https://uzjournals.edu.uz/philolm/vol2019/iss1/2