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Scientific Bulletin of Namangan State University

Abstract

Maqoms have a long history. This article discusses about seven pardas of maqom and dialectical analyzes of the origin of melodies of maqoms. As well as the place and role of maqom melodies in Sufism and its philosophical and aestheticaspects.

First Page

78

Last Page

82

References

1. Djumaev A. “Esteticheskie osnovi makamata” rukopis’ – T:.1991.- C.24. 2. Ibrohimov O. Maqomlar semantikasi diss – T:.1996.-B.7 3. Oripov Z. Ibn Zaylaning “Kitab-l-kafi fi-l-musiqa” risolasidagi atamalar – T:.2008.- B.37- 38. 4. http://syrianmusiclives.files.wordpress.com> Dilorom Karomatning 12 maqam System and its similarity with Indian Raga’s (according to the Indian Manuscripts). 5. Ibrohimov O. Maqomlar semantikasi diss – T:.1996.-B.76. 6. Abdulla SHer. Estetika – T:.2014.-B.58. 7. Ibrohimov O. maqomlar semantikasi diss – T:. 1996.- B.69-70 8. Gudimova S.A. Muzikalnaya estetika nauchno-prakticheskoe posobie – M:.1999.- S.6 9. www.classicmusic.uz/maqomlar_ta] Ibragimov O. Maqomlar tarixiga oid 10. Rajabov I. Maqomlar – T:. 2006 – B.140-141.

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