•  
  •  
 

Eurasian music science journal

Abstract

This article deals with the factors that played an essential role in the development of European Opera art and academic singing, which was formed by taking all the best that was developed over the centuries, forming criteria for the ideal sound image, starting with classical, romantic Opera and Opera verism and modernist concepts of the early twentieth century.

First Page

23

Last Page

44

References

[1] Bagadurov, V. (1929). Ocherki po istorii vokalnoy metodologii [Essays on the history of vocal methodology]. Moscow, Part I., p. 468.

[2] Barsov, Y. (1968). Vokalno-ispolnitelskie i pedagogicheskie principy M. I. Glinki [Vocal-performing and pedagogical principles of M. I. Glinka]. Leningrad: Muzyka, p. 66.

[3] Wagner Richard. (1911-1912). Moja zhizn': Memuary. Pis'ma. Dnevniki [My life: Memoirs. Letters. Diaries]. St. Petersburg: Grjadushhij den, Vol. IV., p. 302.

[4] Glickman, I. (1989). Meyerhold i muzykalniy teatr [Meyerhold and musical theater]. Leningrad: Sovetskij kompozitor, p. 352.

[5] Lvov, M. (1964). Iz istorii vokal'nogo iskusstva [From the history of vocal art]. Moscow: Muzyka, p. 228.

[6] Mazurin, K. (1902). Metodologija penija [Methodology of singing]. St. Petersburg, Part I., p. 86.

[7] Gruber, R. (1937). Muzykal'naja kultura drevnego mira [Musical culture of the ancient world]. Moscow: Muzyka, p. 256.

[8] Rimsky-Korsakov, N. (1946). Osnovy orkestrovki [Fundamentals of orchestration]. Moscow - Leningrad: MUZGIZ, Vol. I., p. 124.

[9] Khamidova, M. (2009). Honandalik sanati [Academic singing]. Tashkent: Sanat, p. 104.

Included in

Musicology Commons

Share

COinS
 
 

To view the content in your browser, please download Adobe Reader or, alternately,
you may Download the file to your hard drive.

NOTE: The latest versions of Adobe Reader do not support viewing PDF files within Firefox on Mac OS and if you are using a modern (Intel) Mac, there is no official plugin for viewing PDF files within the browser window.