Eurasian music science journal


Genre-style research of contemporary variety music requires the development of new methodological approaches. The available classifications and methods, unfortunately, do not allow to fully analyze the genre-style structure of Uzbek variety music. Another problem in the analysis of genre-style affiliation is the notation of variety music composition. This is due, among other things, to the fact that note fixation cannot fully reflect the style affiliation expressed through rhythmic "pulls," special effects, sound distortion and other attributes of modern variety music. As part of our research, a new method of combined note-hearing analysis has been developed. Algorithm of analysis and isolation of components of variety composition is formulated.

First Page


Last Page



[1] Cohen, S. (2012). Live Music and Urban Landscape: Mapping the Beat in Liverpool. Social Semiotics, 22 (5), pp. 587–603.

[2] Gray, A., Bell, E. (2013). History on Television (1nd ed). Abingdon, UK and New York: Routledge.

[3] Loy, S., Rickwood, J., Bennett, S. (2018). Рopular music, Stars and Stardom. Australia: ANU Press.

[4] Oramas, S., Nieto, O., Barbieri, F., Serra, X. (2017). Multi-label music genre classification from audio, text, and images using deep features. Proceedings of the 18th ISMIR Conference, Suzhou, China, October 23-27, 2017 (23-30). Suzhou: ISMIR.

[5] Osborne, R. (2012). Vinyl: A History of the Analogue Record (1nd ed). Abingdon, UK and New York: Routledge.

[6] Strähle, J., Kriegel, A. (2018). Fashion and Music: A Literature Review (1nd ed). Singapore: Springer Singapore.

[7] Bel'tjukov, A. (2016). Stilevoj genezis massovoj muzykal'noj kul'tury XX veka (na primere SShA i Velikobritanii) [The stylistic genesis of the mass musical culture of the twentieth century (on the example of the USA and Great Britain)]: (Dissertation of the candidate of cult.). Retrived from http://www.dslib.net/teorja-kultury/stilevoj-genezis-massovoj-muzykalnoj-kultury-xx-veka.html.

[8] Bonfel'd, M. (2003). Analiz muzykal'nyh proizvedenij: Struktury tonal'noj muzyki: ucheb. posobie dlja vuzov (1-ja red.) [Analysis of musical works: Structures of tonal music: textbook for universities (1st ed.)]. Moscow: Gits Vlados.

[9] Danchenko, N. (2012). Problemi vzaєmodії mistectva, pedagogіki ta teorії і praktiki osvіti [Problems of interrelationship of art, pedagogy and theory and practice of education]. 1st ed., pp. 354-361. Kharkiv: TOV "S. A. M.".

[10] Zaderackij, V. (2003). Jelektronnaja muzyka [Electronic music]. Music Academy. 718 (No. 2), pp. 77–89.

[11] Olejnikov, K. (2003). Aranzhirovka (1-ja red.) [Arrangement (1st ed.)]. Moscow: Phoenix.

[12] Pereverzev, L. (1979). Fenomen disko [The phenomenon of disco]. Rovesnik. 451 (No. 11), pp. 26-29.

[13] Syrov, V. (1997). Stilisticheskie metamorfozy roka ili put' k «tret'ej» muzyke (1-ja red.) [Stylistic metamorphoses of rock or the path to "third" music (1st ed.)]. Nizhny Novgorod: publishing house of the Nizhny Novgorod University.

[14] Ship, S. (2001). Muzykal'naja rech' i jazyk muzyki (1-ja red.) [Musical speech and the language of music (1st ed.)]. Odessa: ed. OGK them. A.V. Nezhdanova.

Included in

Musicology Commons



To view the content in your browser, please download Adobe Reader or, alternately,
you may Download the file to your hard drive.

NOTE: The latest versions of Adobe Reader do not support viewing PDF files within Firefox on Mac OS and if you are using a modern (Intel) Mac, there is no official plugin for viewing PDF files within the browser window.