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Eurasian music science journal

Abstract

This article deals with the notion of «idea», its transformation in time and a structural connection with musical thinking. Parallels are being drawn between the shape of the microworld and the structure of the musical piece, the structural links between the overtone series and the chronological order of the appearance of musical epochs.

First Page

159

Last Page

170

References

[1] Idea. (2005). National Encyclopedia. Kazakhstan. Vol. II. ISBN 9965-9746-3-2.

[2] Irodov, I. (2017). Kvantovaya fizika. Osnovnye zakony [Quantum physic. Basic rules]. ISBN: 978-5-00101-492-8.

[3] Mihajlova, A. Spektralnaya muzyka. K istorii osmysleniya [Spectral music. To the history of comprehension]. Retrieved from: http://vseedino.ru/spektralnaya-muzyka, 2010.

[4] Shutko, D. (2005). Francuzskaya spektralnaya muzyka 1970 – 1980 godov (teoreticheskie osnovy yazyka) [French spectral music 1970-1980 (theoretical basis of language)]. Thesis.

[5] Bohm, D. (1980). Wholeness and the Implicate Order. Routledge, ISBN 0-203-99515-5.

[6] The candidate of art history, associate professor I.S. Malmberg (The State conservatory of Uzbekistan) repeatedly drew attention to this in her lectures on the analysis of musical form.

[7] Fiumara, A. (2010). All and Beyond: The music of Peter Adriaansz and Piet-Jan van Rossum’ and ‘Not that, damn it, but this’); Peter Adriaansz (‘How I became a convert’ and ‘Music as Objective Truth’); Piet-Jan van Rossum (‘On pedal technique and Studebakers). teleXpress. p. 22. ISBN: 978-90-76937-31-1.

[8] Khan, Hazrat Inayat. The Mysticism of Sound. Ch. VII., p. 58.

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