The study is devoted to genre-style structure and dynamics of development of modern Uzbek pop music. The process of identifying the structure was carried out by mathematical analysis of 1893 rotated music compositions according to the "playlists" of FM radio stations and "Internet charts" for the period from 1991 to 2018. There are three stages of modern pop music of Uzbekistan, which reflect the dynamics of genres and styles of Uzbek pop music and allow to predict their future development. The first (adaptation, 1991-1998) period was studied by the material of playlists, rotated 362 compositions for 1997-1998. It is key to our analysis, because it reflects the processes of change in the country and is a period of adaptation and, at times, chaotic change of interests, both performers and listeners. The second period (formation) is 1999-2008. Exploring the next decade on the material of the playlists, which is rotated 626 compositions in 2007-2008, we tried to trace the process of organizing and stabilizing the genre and stylistic structure of the Uzbek platform. The third period (development) covers 2009-2018. Studying this decade on the material of the Uzbek Internet charts, 905 songs for 2017-2018, we tried to trace the process of integration and development of genre and style structure of the Uzbek stage.
 Allen, D. (2012). British Graffiti: Popular Music and Film in the 1970s. In: Harper, S, Smith, JT (eds). British Film Culture in the 1970s: The Boundaries of Pleasure. Edinburgh: Edinburgh University Press, pp. 99–114.
 Koelme, J. (2015). Pragmatism and In-betweenery: Light music in the practice of Australian composers in the postwar period, c.1945-1980 (PhD dissertation). University of Adelaide.
 Loy, S., Rickwood, J., Bennett, S. (2018). Рopular music, Stars and Stardom (1st ed). Australia: ANU Press, The Australian National University.
 Oh I., Lee, H. (2013). Mass Media Technologies and Popular Music Genres: K-pop and YouTube. Korea Journal, vol. 53 (№ 4), pp. 34-58.
 Oramas, S. (2018). Multimodal Deep Learning for Music Genre Classification. Transactions of the International Society for Music Information Retrieval, 1(1), 4-21. DOI: https://doi.org/10.5334/tismir.10.
 Strähle, J., Kriegel, A. (2018). Fashion and Music: A Literature Review (1st ed.). Singapore: Springer Singapore.
 Andreev, A. (2014). Kul'turologija: lichnost' i kul'tura [Culturology: personality and culture. (1st ed.)]. Moscow: Direct - Media.
 Bekov, O. (1994). Sovremennaja uzbekskaja estradnaja pesnya v kontekste muzykal'noj kul'tury Uzbekistana [Contemporary Uzbek pop song in the context of the musical culture of Uzbekistan] (PhD dissertation). Research Institute, B-42 No. 931.
 Ibragimov, O. (2018). Razvitie uzbekskoy muzyki novogo vremeni [Development of Uzbek music of modern times]. San'at, 1 (No 1), 23-29.
 Klipp, O. (2014). Obobshhenie opyta professional'nyh estradnyh ispolniteley na osnove akusticheskih issledovaniy ih golosov [Generalization of the experience of professional pop performers on the basis of acoustic research of their voices]. Science and education of the XXI century. Ufa: Aeterna.
 Poljanskaja, E., Beljaeva, A. (2018). Muzykal'no stilevye predpochtenija rossijskih studentov [Musical and stylistic preferences of Russian students]. Problems of Pedagogy and Psychology, 349 (No. 1), pp. 187-194.
 Sajapina, I. (2014). Informacionny podhod k problemam sociokul'turnoy kommunikacii [An informational approach to the problems of sociocultural communication]. Problems of Linguistics and Communication. Scientific Bulletin YIM, 12 (No 4), pp. 49-56.
 Stopps, D. (2017). Muzyka kak istochnik dohoda [Music as a source of income (2nd ed.)]. Geneva: WIPO.
 Syrov, V. (1997). Stilisticheskie metamorfozy roka ili put' k «tret'ej» muzyke [Stylistic metamorphoses of rock or the path to "third" music (1st ed.)]. Nizhny Novgorod: publishing house of the Nizhny Novgorod University.
 Hezmondalsh, D. (2014). Kul'turnye industrii [Cultural Industries (1st ed.)]. Moscow: ID HSE.
 Holopov, Ju. (2006). Vvedenie v muzykal'nuyu formu [An Introduction to Musical Form (1st ed.)]. Moscow: Moscow State Tchaikovsky Conservatory.
"Genre and stylistic features of the structure and dynamics of the development of modern Uzbek pop music,"
Eurasian music science journal: 2019
, Article 6.
Available at: https://uzjournals.edu.uz/ea_music/vol2019/iss1/6