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Eurasian music science journal

Abstract

Four Hands Piano Ensemble Sonatina D. Ligeti (experience of interpretation) Learner’s guide «Four Hands Piano Ensemble Sonatina D. Ligeti (experience of interpretation)» written by M.V. Gumarov, a leading specialist in musical mastery performance, the acting Professor of Special Piano Department at the State Conservatoire of Uzbekistan, is dedicated to the interpretation problems of compositions of Dierd Ligeti, the most eminent composer of the modernity (1928- 2006).

First Page

10

Last Page

22

References

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2. Bychkov V., Estetika [Aesthetics] . 2008.

3. Gazizov R., Muzykalnaya akademiya [Academy of Music]. Poslednie raboty D. Ligeti [Recent work D. Ligeti] . 2007 . 1.

4. Gumarov M., Fortepiannye sochineniya Dyordya Ligeti v kontekste sovremennogo muzykalnogo iskusstva [Piano compositions by György Ligeti in the context of contemporary musical art]. 2010.

5. Katz Yu.,Voprosy muzykalnogo ispolnitelstva i pedagogiki [Issues of Musical Performance and Pedagogy]. Fortepiannye etyudy D. Ligeti – odin iz putej ovladeniya sovremennoj sonornoj ispolnitelskoj tehnikoj [[Piano Etudes by D. Ligeti - One of the Ways of Mastering Modern Sonor Performing Technique]. 2009.

6. Kreinina Yu., Dord Ligeti i Vitold Lyutoslavskij: paralleli i sravneniya [Györd Ligeti and Vitold Lutoslavsky: parallels and comparisons.]. б.м. : Gaudamus, 1992.

7. Landovskaya V., O muzyke {About music}. 1991.

8. Lobanova M., Muzykalnyj stil i zhanr: istoriya i sovremennost [Musical style and genre: history and modernity.]. 1990.

9. Nazaikinsky E., Zvukovoj mir muzyki [Sound world of music]. 1988.

10. —. Logika muzykalnoj kompozicii [Logic of musical composition.]. 1982.

11. Ostromogilsky I., Academy of Music. O vizualnyh aspektah muzyki Dyordya Ligeti [On the visual aspects of the music of György Ligeti]. 2008. 2.

12. Protopopov V., Ocherki iz istorii instrumentalnyh form XVI – nachala XIX veka [Essays from the history of instrumental forms of the XVI - beginning of the XIX century]. 1979.

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