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Eurasian music science journal

Abstract

Four Hands Piano Ensemble Sonatina D. Ligeti (experience of interpretation) Learner’s guide «Four Hands Piano Ensemble Sonatina D. Ligeti (experience of interpretation)» written by M.V. Gumarov, a leading specialist in musical mastery performance, the acting Professor of Special Piano Department at the State Conservatoire of Uzbekistan, is dedicated to the interpretation problems of compositions of Dierd Ligeti, the most eminent composer of the modernity (1928- 2006).

First Page

12

Last Page

26

References

[1] Willoughby, D. (1983). The World of Music. Ligeti in Conversation.

[2] Bychkov, V. (2008). Estetika [Aesthetics].

[3] Gazizov, R. (2007).Poslednie raboty D. Ligeti [Recent work D. Ligeti]. Muzykalnaya Akademiya [Academy of Music].

[4] Gumarov, M. (2010). Fortepiannye sochineniya Dyordya Ligeti v kontekste sovremennogo muzykalnogo iskusstva [Piano compositions by György Ligeti in the context of contemporary musical art].

[5] Katz, Yu. (2009). Fortepiannye etyudy D. Ligeti – odin iz putej ovladeniya sovremennoj sonornoj ispolnitelskoj tehnikoj [Piano Etudes by D. Ligeti - One of the Ways of Mastering Modern Sonor Performing Technique]. Voprosy Muzykalnogo Ispolnitelstva I Pedagogiki [Issues of Musical Performance and Pedagogy].

[6] Kreinina, Yu. (1992). Dord Ligeti i Vitold Lyutoslavskij: paralleli i sravneniya [Györd Ligeti and Vitold Lutoslavsky: parallels and comparisons]. Gaudamus.

[7] Landovskaya, V. (1991). O muzyke [About music].

[8] Lobanova, M. (1990). Muzykalnyj stil i zhanr: istoriya i sovremennost [Musical style and genre: history and modernity.].

[9] Nazaikinsky, E. (1988). Zvukovoj mir muzyki [Sound world of music].

[10] Nazaikinsky, E. (1982). Logika muzykalnoj kompozicii [Logic of musical composition.].

[11] Ostromogilsky, I. (2008). O vizualnyh aspektah muzyki Dyordya Ligeti [On the visual aspects of the music of György Ligeti]. Academy of Music. № 2.

[12] Protopopov, V. (1979). Ocherki iz istorii instrumentalnyh form XVI – nachala XIX veka [Essays from the history of instrumental forms of the XVI - beginning of the XIX century].

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