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Culture and Arts of Central Asia

Abstract

This article discusses the historical role of Uzbek cinema and its place in educating young people.It also focuses on our achievements and issues that need to be addressed in the future. The importance of this topic, the fullness of our state history, our rich past and culture, as well as the spirituality of our great ancestors in modern cinematographic art are a demand of the times.

First Page

27-31

References

1. Karimov I. A. Ona yurtimiz baxtu iqboli va buyuk kelajagi yо‘lida xizmat qilish-eng oliy saodatdir. –Toshkent: О‘zbekiston, 2015. -114 b. 2. Karimov I. A. Yuksak ma’naviyat – yengilmas kuch. – Toshkent: Ma’naviyat, 2008. -146 b. 3. Mirziyoyev SH. M. Buyuk kelajagimizni mard va oliy janob xalqimiz bilan birga quramiz. -Toshkent: О‘zbekiston, 2017. -486 b. 4. Musajonov F. Xakim at-Termiziy. Hujjatli ilmiy-ommabop badiiy film ssenariysi. –Toshkent: 1998. 5. Abul-Kasimova X. Rojdeniye uzbekskogo kino. –Tashkent: Nauka, 1965. -6 s. 6. Akbarov H. Adabiyot va kino. –Tashkent: Fan, 1981. -174 b. 7. Mavrulov A. Davlatov O. Abdurasulov SH. О‘zbek xalq san’atidagi transformatsiya jarayonlarining tarixiy tahlili (XIX-XXI asr boshlari). –Toshkent: Lesson Press, 2017. -170 b. 8. Bordwell, David. “Intensified continuity revisited.” David Bordwell’s Website on Cinema, 22 July2010. Available online: http:// www.davidbordwell.net/blog/2007/05/27/intensified-continuityrevisited/(accessed on 12 June 2014). 9. Kutter Callaway.” Syncopated Beats and the History of Sadness: TheAffective Fusion of Audience and Film through Music” Received: 19 January 2016; Accepted: 23 March 2016; Published: 25 March 2016

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