•  
  •  
 

Culture and Arts of Central Asia

Abstract

Тhe present article is devoted to the issues of musical theory bases of vocal preparation of future artists. The question of musical perception in the process of vocal education which serves for alignment of students’ vocal-artistic performance is considered hereof.

First Page

72-74

References

1.Chernichenko V.I. Didaktika visshey shkoli: istoriya i sovremenniye problemi. ––“ Vuzovskaya kniga”. –Moskva: 2002. 480 b. 2. Petrushin A. Muzikalnaya psixologiY. –Moskva: 1990. 560 b. 3. Konen V. Monteverdi. –Moskva: Sovetskiy kompozitor,1971. 600 b. 4. Pirmatov SH.T. Vokal texnikasi asoslari. –Toshkent: 2011. 145b. 5. Qobilov N.K. Musiqali teatr aktyorlarini tarbiyalash metodikasida sahnaviy xatti-harakatlar va musiqa uyg‘unligi.//San’at va madaniyat ta’limi –badiiy taraqqiyotning harakatlantiruvchi kuchi. // Ilmiy-nazariy va amaliy konferensiya materiallari tо‘plami. –Toshkent: 2014.138-140 bb. 6.Samoldina N. A. Sovremenniye metodi razvitiya vokalnogo masterstva uchashixsya // Konsept. - 2015. – Spets.vipusk № 20. - ART 75329. - 0,3 p. l. -URL: http://e-koncept.ru/2015/75329.htm. - Gos. reg. El № FS 77-49965. - ISSN 2304-120X. 7.Teplov B.M. Psixologiya muzikalnix sposobnostey. M. –Moskva: - L.: APN RSFSR, 1947. — 355 S.

Share

COinS